Wienerzeitung (Diario de Viena) December 2006 

Wiener Zeitung . Revista Austria (December 2006)

Soulseduction (web store England) November 2006
´´... After his debutalbum "Narcotango" that hit worldwide streets in 2005, Carlos Libedinsky presents us his second album - a very felicitous, mature and professionally produced follow up. Especially the voice of Rosana makes this a real pleasure not only for the the die-hard Tango fans but also for lovers of World Music, Jazz and Electro. 
On "Narcotango2" Carlos has proved that the tightrope walk between traditional sounds and electronic influences can work out excellent! ``... see more

Revista Ronda (Buenos Aires Argentina) November 2006
``After its debut album "Narcotango" that hit worldwide streets in 2005, Carlos Libedinsky presents us his second album - a very felicitous, mature and professionally produced follow up. Especially the voice of Rosana makes this a real pleasure not only for the die-hard Tango fans but also for lovers of World Music, Jazz and Electro.
On Narcotango2 Carlos has proved that the tightrope walk between traditional sounds and electronic influences can work out excellently!´´ ver más

Revista Bacanal (Argentina) October 2006
´´...Este es un tango nuevo, joven, apto para ser disfrutado por mucha gente. Esta muy pero muy bueno...´´ ver más

Revista G7 (Argentina) October 2006
´´...After the commercial success of his previous record, Carlos Libedinsky continues his research into electronic tango. On this occasion, the outcome is even more solid since this approach gives priority to compositions without setting aside the sober use of synthesized sounds...´´ ver más

Diario La Prensa (Argentina) October 2006
´´...Carlos Libedinsky leaves the tango cliche by creating a record with his own compositions which has been conceived bearing this format in mind. This originality makes it a unique piece of work...´´ ver más

Diario La Nación (Argentina) September 2006
"Carlos Libedinsky, in his previous work approached the milonga world, perhaps for this reason dancing has been taken particularly into account in this second record ..." (Mauro Apicella) ver más

Platomania web site –Holanda, September 2006
´´Libedinsky has the abilty to program his computer in a way that it goes well together with the parts of the bandoneon and violin. The tango melancholy is preserved and you can dance to it…´´ 4 stars (Ruud Verkerk) ver más

Creativos sin cabeza web site Argentina, September 2006
´´…No hay dudas que Carlos Libedinsky extrajo de su alma toda aquella luz que encontrara en su propia introspección, creando un álbum hermético, oscuro, lleno de climas y de rincones en donde buscar para luego encontrar lo que la propia melodía transporta, con tangos de verdadera calidad en la composición y en los arreglos que lo constituyen en un verdadero intelectual y poeta del tango de vanguardia...´´ 
(Charly Borja) ver más

Estereofonica magazine Colombia. September 2006
There are no doubts that Carlos Libedinsky extracted of his soul all that light that found in its own introspection, creating a hermetic, dark, full album of climates and corners in where to look for soon finding what own melody transports, with tangos of true quality in the composition and the adjustments that constitute in a true intellectual and poet of the vanguard tango…´´ (Luisa Piñeros ) read more ...

TangoKultur (Online Magazin. Germany . August 2006)
...Narcotango developed their music very positively. Everything seems more defined and arranged. The second Album is a wonderful composition of songs for dancing, just listening and enjoying... (see more)

Pagina 12  newspaper Argentine. july 2006
....Electrotango has two basic possible directions to take in the future: to become a tecno subgenre with tango make-up or to be used as a tool for revamping and updating the Argentine soundtrack. In his record, Carlos Libedinsky seems to get closer to this second alternative. Narcotango 2 places tango in the centre of the scene. Technological resources which overlap with the bandoneon, only accompany naturally that melancholy which Buenos Aires did not bury in the forties.....( Fernando D'adario ) read more

TANGODATA (Portal web. Buenos Aires) June 15th., 2006
´´...after a promising debut with "Narcotango", Carlos Libedinsky doubles the bet in this second work. The challenge does not lie in trying to deepen the affinity of (apparent) opposites between tango and electronic music, nor in forcing artificial aesthetic fusions, but in deciding to place tango again in the centre of the scene. The technological tools he used have become naturally part of a music which rests in the melancholy of a modern and cosmopolitan Buenos Aires..."(Adrián D'amore) read more

Diario El Comercio Quito. Ecuador, June 2006
....Hay mucha gente que aceptó de entrada nuestra música tanto fuera como dentro del ámbito del tango. Es un tiempo en el cual el tango volvió a instalarse en la gente joven, entonces en él conviven todas las generaciones, lo cual es una maravilla: vos vas a un salón de tango a bailar y podés tener amigos de sesenta años con quienes compartís un vino, una mesa... es un lugar superdemocrático... read more

Auraneurotica Blog Ecuador, June 2006
Muy feliz, y muy contento. Necesitabamos un espectaculo así... read more 

Terra Portal web. Ecuador y Colombia, June 2006
¡Traición!, gritaron muchos tradicionalistas. Pero ya no había nada que hacer frente a aquella "mixtura" que emergía desde Buenos Aires. read more

Diario El Comercio. Quito. Ecuador June 6th., 2006
"Standing, that is how the last 20 minutes of the concert went by. People from Quito wouldn´t let them go." read more

Diario Hoy, Quito Ecuador June 5th., 2006
...''An enthusiastic audience and pleased skeptical people said goodby standing...'' read more...

Diario Página 12 Argentina, May 2006
''...there is almost no milonga where Narcotango´s sensual and hypnotic loops do not sound...'' (Cecilia Sosa) read more